Movie review: The Old Guard

 Fighting for good, a covert group of immortal mercenaries must now fight for their lives after being exposed. Targeted for experimentation, the group struggles to remain hidden just as an unexpected new member is revealed.

Charlize Theron (Andy), KiKi Layne (Nile), Matthias Schoenaerts (Booker), Marwan Kenzari (Joe), Luca Marinelli (Nicky), Chiwetel Ejiofor (Copley), Harry Melling (Merrick), Veronica Ngo (Quynh), Natacha Karam (Dizzy).

The Old Guard begins nicely jumping straight to a scene that brings us up to speed on Andy and her team. From there the story dives deeper into each character while bringing in a nemesis and a surprise character just to keep things interesting. The story evolves well on a couple of fronts, and develops nice depth. There is a good mix of drama and action that keeps things moving with variety up through the obviously-a-sequel-setup ending.

Acting was good with Theron almost delivering more emotion than usual, which isn't much. Layne was enjoyable and quite solid with her delivery. Schoenaerts, Kenzari, and Marinelli all did well and seemed to work well together. Ejiofor was good in a smaller role while Melling was a fitting antagonist.

Camera work, sets, and backgrounds are pretty good with a realistic feel. Action was good and also felt fairly realistic. CGI was well done and fit the film very well. Dialogue was a bit dry but not what the film was about anyway. Sound and soundtrack are enjoyable.

Overall The Old Guard is a well done action adventure flick with a solid sci-fi base. The characters and story are enjoyable, as is acting and technical work. Fans of well rounded action films should enjoy this one.

With some mild sexuality, plenty of violence, gore, and foul language, reserve this one for older teens and above.

Released: 2020
Reviewed: 12.29.20
Star rating: 3 out of 5
Genre: Action, Adventure, Sci-Fi, Fantasy

copyright ©2020 Dave Riedel

Movie review: Community

 

Suspended lawyer, Jeff Winger, is forced to return to school when the legitimacy of his law degree is challenged. There he meets and eventually befriends a group of outcast misfit students leading to surprising adventures.

Joel McHale (Jeff), Gillian Jacobs (Britta), Danny Pudi (Abed), Alison Brie (Annie), Ken Jeong (Chang), Yvette Brown (Shirley), Jim Rash (Dean), Donald Glover (Troy), Chevy Chase (Pierce), John Oliver (Duncan), Jonathan Banks (Hickey).

Though a bit dated, Community is a fun and fairly fast moving sitcom that doesn't bog itself down with long-term plots. Running 6 seasons from 2009 to 2015, the show focuses on suspended lawyer, Jeff, who has enrolled in community college to maintain his law degree. He joins a study group where he meets ditzy Britta, robotic Abed, megalomaniac Troy, and many other interesting characters. From there the series is a series of interesting escapades and entertaining drama.

Acting in this one was top notch all around. McHale, Jacobs, Pudi, Brie, and Brown were good on their own but add in Jeong, Chase, Oliver and Banks and things got even better with some experience at the table. Even small slips actually fit the series well. The only disappointments were Glover and Chase leaving the series.

Camera work, sets, and backgrounds were all good with solid feel and fit. Physical stunt work however was very good for a sitcom. Mild CGI was silly and enjoyable. Dialogue was very well done with plenty of subtle sarcasm, political and social satire. Sound and soundtrack are good.

Overall Community should leave you with a smile and a few chuckles if you enjoy a nice sitcom. I call this brain candy as it diverts your attention with humor and does little else.

 With some mild sexuality, mild violence, and some foul language, this should be fine for teens and above.

Released: 2015
Reviewed: 12.29.20
Star rating: 3 out of 5
Genre: Sitcom, Comedy, TV Comedy

copyright ©2020 Dave Riedel

Movie review: The Nun

 The death of a young nun in Romania prompts the Vatican to investigate. Sending a troubled priest and a young nun preparing to take her vows, the two uncover secrets and the same demonic nun that first terrified audiences in "The Conjuring 2".

Demian Bichir (Father Burke), Taissa Farmiga (Sister Irene), Jonas Bloquet (Frenchie), Bonnie Aarons (Nun), Ingrid Bisu (Sister Oana), Patrick Wilson (Ed), Vera Farmiga (Lorraine), Charlotte Hope (Sister Victoria).

The Nun begins with a brief flashback to remind us of what happened previously with this storyline. Shifting quickly to character introductions, setup for the main plot begins as well, and the film is off and running. When a young nun dies of apparent suicide in Romania, the Vatican sends troubled priest Father Burke, and young Irene who is preparing to take her vows as a nun. From there the film is a blend of horror and mystery as the two try and unravel strange happenings at the convent. What they find is the same demonic nun from The Conjuring 2 who is strangely focused on Irene.

Acting was decent with Bichir and Farmiga both delivering well and appearing to work well together. Taissa Farmiga, being the younger sister of Vera Farmiga, did well and fit the film perfectly. Bloquet brought some depth and was entertaining, as was Bisu and the remainder of the supporting cast.

Camera work, sets, and backgrounds were all fairly well done in this one though the film was frustratingly dark at times. Effects were good for the most part, though the blank faced nuns scene was ridiculous. Dialogue was decent and moved things along. A bit more connection to previous films would be nice. Sound and soundtrack are both good.

Overall The Nun is a solid entry in The Conjuring franchise while also a decent stand-alone story. Those new to the franchise will not be lost, but may find more depth if previous films are viewed. The film moves along well, has a decent storyline, and some nice scares.

With plenty of violence, mild foul language, and plenty of scares, you may want to save this one for older teens to save younger viewers nightmares.

Released: 2018
Reviewed: 12.7.20
Star rating: 3 out of 5
Genre: Horror, Mystery, Thriller, Suspense, Franchise Films

copyright ©2020 Dave Riedel

Movie review: Birds Of Prey And the Fantabulous Emancipation of One Harley Quinn

 Harley and the Joker are over and if that isn't enough, announcing their breakup publicly puts a target on Harley's head. Teaming up with The Huntress, Black Canary, and others Harley and her crew try to save a young girl from psychotic mobster Black Mask.

Margot Robbie (Harley), Rosie Perez (Renee), Mary Winstead (Helena/Huntress), Jurnee Smollett (Dinah/Canary), Ewan McGregor (Sionis/Black Mask), Ella Basco (Cassandra), Chris Messina (Zsasz).

Birds Of Prey And the Fantabulous Emancipation of One Harley Quinn begins with some lead-in to tie this film with the franchise storyline. This film explores Harley's life immediately following her split with Joker as she, in typical Harley style, goes off the rails. With a target on her head, she teams up with The Huntress and Black Canary to battle Black Mask and save a young girl. Unfortunately, all of that sounds much better than it is.

Acting was a bit of a mess in this one. Robbie, who was excellent in Suicide Squad, retained almost none of that luster here. The humor fell flat much of the time, and the physical presence aka hotness was missing as well. Perez and Winstead almost felt like they phoned this one in, whereas Smollett seemed to oversell it to compensate. And she brought the hotness Robbie lost. McGregor fits as a psychotic nemesis of course.

Camera work, sets, and backgrounds were nicely done and the film retained much of the big screen feel seen in this franchise. CGI and effects, largely centered around action scenes, are nicely done and in keeping with the franchise. Dialogue was mediocre and as mentioned, much of the humor just didn't land. Sound and soundtrack are okay.

Overall, we were anticipating Birds Of Prey And the Fantabulous Emancipation of One Harley Quinn and Robbie expanding on her character. Instead this felt like a lethargic attempt to exploit a financial opportunity and little more. The film adds very little to the franchise at the end of the day.

With violence, gore, and foul language, save this one for older teens and above.

Released: 2020
Reviewed: 11.26.20
Star rating: 3 out of 5
Genre: Action, Crime, Adventure, Thrillers, Comic Books and Superheroes

copyright ©2020 Dave Riedel

Movie review: Terminator: Dark Fate

 Sarah may have prevented Judgment Day, but when a new liquid Terminator is sent to eliminate the future resistance leader, her fight continues. Teaming up with an enhanced super soldier and a most unexpected ally, the three set out to once again save humanity from the machines.

Linda Hamilton (Sarah), Arnold Schwarzenegger (T-800/Carl), Mackenzie Davis (Grace), Natalia Reyes (Dani), Gabriel Luna (Gabriel/Rev-9), Diego Boneta (Diego), Tom Hopper (Hadrell), Alicia Borrachero (Alicia).

Terminator: Dark Fate begins as films often do in this franchise, with the immediate introduction of a new Terminator version rolled into a continuing, but very familiar, storyline. Once again, Terminator's sent from the future are here to kill the future resistance leader thereby ending humanity. What could make this more like previous episodes? Bring back Sarah and the first T-800 as key characters. Which also seems to be where the franchise is starting to fail.

Acting was solid as usual in this franchise. Acting is also feeling old in this franchise. Hamilton and Schwarzenegger both delivered as always and added nicely to the film, and both felt a bit out of place for their age. I've been a fan of this franchise since the beginning, but the series simply feels like it needs to move on. The fight can continue, but the cast is needing an update at this point which of course, we are tease with every time.

Technical work here, as usual, was nicely done. The Rev-9 effects were good, but the only bit of originality felt like the splitting ability which, surprisingly, didn't seem to surprise characters in the film much at all. Camera work, sets, backgrounds, costuming, and effects are all managed and delivered well. Dialogue seemed to dwell on previous episodes and an assumption new characters would be both familiar with it and in agreement. Again, it feels like it is time to move on and update things a bit.

Overall Terminator: Dark Fate is another solid entry in the franchise which fans should enjoy. Those newer to Terminator may feel the need for updating, or not completely catch references and dependencies on previous episodes.

With some nudity, plenty of intense violence, some foul language, and adult situations, teens and above should be fine with this one.

Released: 2019
Reviewed: 11.14.20
Star rating: 3 out of 5
Genre: Sci-Fi, Action, Thrillers, Fantasy, Sci-Fi Action

copyright ©2020 Dave Riedel

Movie review: The Last Lovecraft: The Relic of Cthulhu

 When Jeff learns he is the last descendent of horror great H.P. Lovecraft is about the same time he learns Lovecraft's monsters are real and working to destroy humanity. Enlisting the help of his friends, Charlie and Paul, the three set out to protect an ancient alien relic and save the world from demons.

Kyle Davis (Jeff), Devin McGinn (Charlie), Barak Hardley (Paul), Ethan Wilde (Starspawn), Gregg Lawrence (Olaf), Edmund Lupinski (Lake), Edward Flores (Sheldon), Marty Fortney (Mike), Leah McKendrick (Chelsea).

The Last Lovecraft: The Relic of Cthulhu is best described as a Hot Mess. The plot is simple; Jeff is the last Lovecraft descendent and as such responsible for protecting humanity from monsters who want to end humanity. The storyline actually moves along at a decent pace, finds a fair amount of depth, and finishes nicely. That is the Hot part.

Now for the Mess part.
Acting was rough all around. The cast felt rough and inexperienced with emotions frequently not matching the scene. Dialogue delivery often felt dry and lacking energy or fit. Strangely, this almost fit with the B-movie vibe of the film.

Camera work, sets, and backgrounds appeared low-budget and lacking detail but fit surprisingly well with the CGI and again, the B-movie vibe. Dialogue was mediocre with some bits of humor and mild depth. Sound and soundtrack are somewhat interesting.

Overall The Last Lovecraft: The Relic of Cthulhu is a mix of low-budget homegrown cinema that actually fits well in the B-movie genre. From that perspective the film is pretty good overall, but those looking for a big screen horror flick may be disappointed.

With some mild sexuality, unrealistic violence and gore, and some foul language, this should be fine for teens and above.

Released: 2011
Reviewed: 11.14.20
Star rating: 2 out of 5
Genre: Horror, Sci-Fi Horror, Adventure, Comedy, B-movies

copyright ©2020 Dave Riedel

Movie review: Overlord (2018)

 On the eve of D-Day, American paratroopers behind enemy lines on a mission to destroy a radio tower and help secure the invasion of Normandy instead find themselves battling supernatural Nazi soldiers.

Jovan Adepo (Boyce), Wyatt Russell (Ford), Mathilde Ollivier (Chloe), Pilou Asbaek (Wafner), John Magaro (Tibbet), Ian De Caestecker (Chase), Jacob Anderson (Dawson), Dominic Applewhite (Rosenfeld).

Overlord begins with some character introductions and setup, looking at first like a military drama with a solid plot. Charged with downing a radio tower to secure the invasion of Normandy, a group of American paratroopers quickly realize there is much more at stake. It is at this point the film smoothly shifts into the horror genre and things get much more interesting with the Americans now battling supernatural Nazi soldiers. The film maintains a good pace and holds attention well through a nicely done ending.

Acting was decent with Adepo and Russell sharing the lead and both delivering fairly well. Asbaek was well cast, fit his role perfectly and managed it nicely. Ollivier, Magaro, Applewhite and the remainder of the supporting cast were okay and seemed to work well together.

Camera work, sets, and backgrounds were solid with a realistic feel and what appeared to be good use of natural scenery. CGI and effects fit the film well and added nicely. Physical effects were also good throughout. Dialogue added a bit of depth and moved things along at a decent pace. Sound and soundtrack are somewhat bland.

Overlord was a bit of a surprise. Expecting a darker, military film Overlord is actually a decent horror flick with solid emotional buildup rather than simply blood and gore or scary monsters. Yet, there is also a fair amount of violence and gore so, win-win! Those who enjoy unusual horror films should enjoy this one.

With plenty of violence and gore, foul language, more disturbing images with violence and gore, and adult situations, save this one for older teens and above.

Released: 2018
Reviewed: 11.14.20
Star rating: 4 out of 5
Genre: Action, Military, Horror, Supernatural Horror

copyright ©2020 Dave Riedel

Movie review: Star Wars: Episode IX: The Rise of Skywalker

 In this conclusion of the Skywalker saga, the remaining members of the resistance come together against the First Order. With familiar faces from the past, the Jedi and Sith finally settle their legendary differences once and for all.

Carrie Fisher (Leia), Mark Hamill (Luke/Boolio), Adam Driver (Ren), Daisy Ridley (Rey), John Boyega (Finn), Oscar Isaac (Poe), Anthony Daniels (C-3PO), Naomi Ackie (Jannah), Domhnall Gleeson (Hux), Joonas Suotamo (Chewbacca).

Star Wars: Episode IX: The Rise of Skywalker begins as usual with a brief backstory intro scrolling into the stars of space. Jumping right to the story, with some character introductions along the way, we are brought back to plot points in previous films and reminded of the depth in the Star Wars franchise. This episode rolls together so much of the story, bringing back familiar faces, binging the series starts to feel necessary. The conclusion of the Skywalker saga is long awaited and fairly well done in the end.

If anything, acting was the detractor here. Ridley was disappointing in her lead role with limited variety of delivery and expressionless emotion, leaving us to care not of her fate. While it was nice to see Fisher, Hamill, and Ford, all three felt a bit stiff. Driver was okay and seemed to fit his role fairly well. Boyega was enjoyable, as was Isaac, Daniels and most of the supporting cast.

Camera work, sets, backgrounds and costuming are all nicely done. Of course, the larger-than-life CGI and effects well known in this franchise are present and as usual, very well done. Physical action is also managed well. Dialogue was good and seemed to have a bit more humor than usual. Sound and soundtrack are solid.

As with any long running franchise, there seem to be some consistency issues with the storyline here that will turn off some die hard Star Wars fans. Less specific viewers should enjoy this however, many plot points may be lost on those not familiar with the story.

With some violence and gore, mild foul language, and potentially disturbing images, this one should be fine for teens and above.

Released: 2019
Reviewed: 11.13.20
Star rating: 4 out of 5
Genre: Sci-Fi Action, Adventure, Fantasy, Sci-Fi Fantasy, Sci-Fi Adventure

copyright ©2020 Dave Riedel

Movie review: Little Women (2019)

 This adaptation of the well known Louisa May Alcott story follows the March sisters as they make their way in the world on their own terms. Told from the perspective of Jo March, the sisters find love, heartache, and more in a post-Civil War world.

Saoirse Ronan (Jo), Emma Watson (Meg), Florence Pugh (Amy), Eliza Scanlen (Beth), Laura Dern (Marmee), Timothee Chalamet (Laurie), Tracy Letts (Mr. Dashwood), Bob Odenkirk (Father March), James Norton (John).

Little Women launches well with seamless character introductions and storyline rollout. The film quickly develops depth and engagement as the March sisters grow and mature into independent adults. The drama is strong and well done as the sisters find love, loss, and heartache in a world run by men. At the same time the story is somewhat difficult to parse with frequent time jumps leaving the audience to put the pieces together.

Acting was solid from a fairly well known cast. Ronan fit her role well and delivered nicely. Watson brought the smiles and light and was enjoyable as always. Pugh was very enjoyable with good delivery and emotion. Scanlen, Dern, Odenkirk all did nicely. Chalamet was enjoyable throughout with solid emotion.

Camera work, sets, and backgrounds were nicely done with an authentic, realistic feel unlike many period pieces looking dark and washed out. Costuming was very well done with a quality appearance and plenty of variety. Physical action scenes were mild but good. Dialogue was well done with depth, fit, and good movement. Sound and soundtrack fit well and were nicely done.

Overall this 2019 adaptation of Little Women may not be the best, but the film remains enjoyable and engaging. Those who enjoy updated storytelling should enjoy this one while those comparing it to previous films or the original story may be slightly disappointed.

Nothing here to limit audience age. This should be fine for preens and above, though I'd doubt younger viewers will have much interest.

Released: 2019
Reviewed: 11.4.20
Star rating: 4 out of 5
Genre: Romance, Drama, Period Pieces, Films based on the book

copyright ©2020 Dave Riedel

Movie review: Tremors: Shrieker Island

 A rich playboy illegally relocates some Graboids to a private island for trophy hunting. When the Graboids get loose Burt shows up only to find an old flame complicating things and an annoying new assistant he doesn't want.

Michael Gross (Burt), Jackie Cruz (Freddie), Jon Heder (Jimmy), Richard Brake (Bill), Caroline Langrishe (Jas), Cassie Clare (Anna), Sahajak Boonthanakit (Mr. Bowtie), Bear Williams (Mohawk), Ron Smoorenburg (Hunter).

Tremors: Shrieker Island launches as we have come to expect from this franchise; with brief linking to previous episodes and a refresher on characters. With Burt now on his way to a private island infested with Graboids, we are treated to a bit of character depth. Add some explosions, monsters, a laugh or two, and a touch of emotional drama and the rest of the film is fairly predictable through the end. Sadly, this franchise seems to be losing what little energy it had left.

Acting was decent with Gross delivering his usual. Cruz was a surprising and enjoyable addition and delivered well. Heder was okay but didn’t feel authentic. Brake delivered as always, and the remainder of the supporting cast was enjoyable.

Camera work, sets, and backgrounds were good with nice use of scenery and a realistic feel. The CGI however was a bit overdone with Graboids seeming to have learned new gymnastics moves. Physical action was good. Dialogue as expected was corny and campy, though a bit toned down. Sound and soundtrack are fitting.

In the end, Tremors: Shrieker Island is a decent entry in the franchise, but probably not the best. Most of the components from previous films are here, they just aren't used well and don't really develop the energy or comedy we have come to expect.

With some foul language, creature violence, gore, and mild adult situations, this should be fine for teens and above.

Released: 2020
Reviewed: 10.26.20
Star rating: 3 out of 5
Genre: Action Thriller, Action & Adventure, Action Sci-Fi, Adventure

copyright ©2020 Dave Riedel

Movie review: Hubie Halloween

 Lifelong Salem resident Hubie Dubois is a huge fan of Halloween and Salem, devoting much of his time to the protection and enjoyment of both despite being a focus of mockery by townsfolk. But this year things are getting weird and it may be up to Hubie to save both.

Adam Sandler (Hubie), Kevin James (Sgt. Downey), Julie Bowen (Violet), Ray Liotta (Mr. Landolfa), Steve Buscemi (Lambert), Rob Schneider (Richie), Maya Rudolph (Mrs. Hennessey), Tim Meadows (Lester).

Hubie Halloween launches as we follow Hubie through a normal day and realize, Hubie's not quite normal himself. From there the thin plot revolving around an escaped mental patient, with a side of romance, shows up and things get slightly more interesting. From there the rest of the film is the usual late night humor and slapstick comedy.

Acting from this well known cast was good. Sandler delivered his usual with an added accent that was almost understandable. James was solid and fun as always. Buscemi and Schneider were fun as usual. Bowen added nicely, as did Liotta who was a lot of laughs. Acting from the remainder of the star-studded cast did nicely and brought some good chuckles.

Camera work, sets, and backgrounds appear natural and are fairly mild. Physical effects were fun, as they usually are in Sandler flicks. Dialogue was okay but just didn't bring the laughs we expected. Sound and soundtrack are well done.

Overall, this is a typical Sandler teen flick. Thin plot with a dose of humor and physical comedy. With a bit less late night comedy than we usually see in Sandler films, this one seems aimed at a younger audience which might be why the energy and comedy felt light.

With some mild sexuality and adult humor, a bit of comedy violence, and foul language, this should be fine for preens and above.

Released: 2020
Reviewed: 10.26.20
Star rating: 2 out of 5
Genre: Fantasy, Comedy, Mystery, Slapstick

copyright ©2020 Dave Riedel

Movie review: Jumanji: The Next Level

 Jumanji: The Next Level is launched when Spencer heads back into Jumanji despite knowing better. As the rest of the gang returns to save him they all find the game has changed. From scorching deserts to dangerous wildlife the theme is clear; welcome to the next level of Jumanji!

Dwayne Johnson (Bravestone), Kevin Hart (Mouse), Jack Black (Oberon), Karen Gillan (Ruby), Awkwafina (Ming), Nick Jonas (Seaplane), Alex Wolff (Spencer), Morgan Turner (Martha), Madison Iseman (Bethany), Ser'Darius Blain (Fridge), Danny DeVito (Eddie), Danny Glover (Milo), Rhys Darby (Nigel), Colin Hanks (Alex).

Jumanji: The Next Level wastes little time bringing the gang back into Jumanji. Set on saving Spencer, the gang sets out full of confidence knowing they have played, and beaten, the game before. Their quest now underway, they soon begin to realize this is not the Jumanji they played before. The game has tossed in some new twists to compliment new adventures and before long the story achieves a brisk pace. While the fun and adventure still exists, the humor is a bit soft in this one.

Acting was solid with Johnson delivering a great imitation of DeVito/Eddie. Hart was fun as always in a role that seems to suit him well. Black once again delivered a surprising physical performance while delivering nicely. Gillan is always nice to see, and does well. Awkwafina was a nice addition and did very well. The remainder of the supporting cast was solid and enjoyable.

Camera work, sets, and backgrounds were good but of course, CGI takes center stage. Effects were nicely done with good detail and reasonable movement. Creatures and backgrounds fit the film well throughout. Dialogue was good though as mentioned, the humor seemed to be more subdued in this one. Sound and soundtrack are nicely done.

Overall Jumanji: The Next Level isn't quite as good as previous films in the franchise. The plot remains enjoyable, and technical work is good all around, but this one didn't quite nail the humor. Surprising given additions to the cast. Those who enjoy the franchise should enjoy this one.

With some mild sexuality, action violence, mild foul language and some disturbing scenes, teens and above should be fine with this one.

Released: 2019
Reviewed: 10.19.20
Star rating: 3 out of 5
Genre: Sci-Fi Fantasy, Sci-Fi Adventure, Sci-Fi Action, Action Comedy, Adventure

copyright ©2020 Dave Riedel

Movie review: Primal

 Exotic animal hunter and collector Frank has just struck it big by capturing a priceless white Jaguar along with his other catches. On the ship sailing home however is a deadly political assassin who first breaks free and then releases Frank's animals onto the ship, including the white jaguar.

Nicolas Cage (Frank), Famke Janssen (Dr. Taylor), Kevin Durand (Loffler), LaMonica Garrett (Ringer), Michael Imperioli (Freed), Braulio Hijo (Morales), Tommy Walker (Forrest), Sewell Whitney (Scuddy).

Primal begins with Frank encountering the white jaguar and our introduction to the CGI used throughout the film. Cat and other catches in hand, Frank boards the boat home only to find he is sharing it with a deadly political assassin, Loffler, who promptly escapes. The hunt now on for Loffler the action steps up a notch. When Loffler then releases Frank's wild animals things get even more tense.

Acting was a mix here. Cage did fairly well at times but also seemed to fall back into his usual grungy cranky alcoholic mode at times. Janssen was a surprising choice and did well while also feeling underused. Durand was perfectly cast and in a role that fit him well which he managed nicely. The remainder of the supporting cast was solid and delivered well.

Camera work, sets, and backgrounds are mostly boat based, felt solid, and fit the film. Effects were a mix as well. CGI with the animals felt almost comic at times, underdone other times. Physical effects were mildly better. Dialogue was okay and added some depth to the story. Sound and soundtrack are decent.

Overall Primal is a blend of familiar stories as an obvious tool to promote action and intensity. Those who enjoy action & adventure films should enjoy this one. Those looking for a new story or depth may be disappointed.

With some violence and foul language, this one should be fine for older teens and above.

Released: 2019
Reviewed: 9.22.20
Star rating: 3 out of 5
Genre: Action & Adventure, Action Thriller, Action, Thriller

copyright ©2020 Dave Riedel

Movie review: 11.22.63

 What if you could go back in time and prevent the assassination of President Kennedy? Based on a Stephen King novel, J.J. Abrams and James Franco team up and bring the story to life in this 8 episode mini-series.

James Franco (Jake Epping), Sarah Gadon (Sadie), George MacKay (Bill), Chris Cooper (Al), Cherry Jones (Marguerite), Daniel Webber (Lee Harvey), Kevin O'Connor (Yellow Card Man), Jonny Coyne (George), Josh Duhamel (Frank).

11.22.63 begins nicely with character introductions alongside Jake learning about time travel. From there the story shifts focus to preventing the assassination of JFK. Along the way we meet quite a few interesting characters and with Jake, learn how interactions with different people in different times can change things throughout time. While the focus on Lee Harvey is understandable, it also remains questionable, which was presented fairly well in the story.

Acting was good with Franco delivering quite well. Gadon was a solid choice to work with Franco and they appeared to work well together. MacKay was very enjoyable and in a role he managed well with good delivery throughout. Webber was also well cast and delivered perfectly. The remainder of the supporting cast was interesting and enjoyable.

Camera work, sets, and backgrounds are good and it felt like the film matched the decades of focus well. Action scenes were well done with good fit. Effects were mild but well done without taking over the film. Dialogue was solid with decent depth and emotion that kept things moving. Sound and soundtrack are nicely done.

Overall 11.22.63 is a nicely done Sci-Fi Drama that moves at a nice pace and holds interest fairly well. I've not read the book yet and can't comment on translation to the big screen but those with an interest in time-travel or the assassination of JFK should find this one entertaining.

With some mild sexuality, graphic violence, and foul language, save this for teens and above. Heed the epilepsy trigger warnings in Episode 6.

Released: 2016
Reviewed: 9.22.20
Star rating: 4 out of 5
Genre: TV sci-fi, TV drama, Drama, Mystery, Time Travel

copyright ©2020 Dave Riedel

Movie review: Gemini Man

 As expected, when hitman Henry Brogan decides to retire, his bosses then decide to retire him. So when a well trained killer shows up, Henry expects him. What he doesn't expect is a clone of himself.

Will Smith (Henry/Junior), Mary Winstead (Danny), Clive Owen (Clay), Benedict Wong (Baron), Douglas Hodge (Jack), Ralph Brown (Del), Linda Emond (Janet), Ilia Volok (Yuri), E.J. Bonilla (Marino), Victor Hugo (Junior - reference).

Gemini Man begins well and looks like every other spy action thriller flick when hitman Henry decides to retire and his bosses decide instead to kill him. Where the story takes a turn and gets interesting is when the new hitman shows up to kill Henry. That is when we, and Henry, realize his adversary is a younger cloned version of himself. The big twist in place, the film returns to a game of cat-and-mouse with the obligatory action scenes and a nice mild ending.

Acting was good with Smith delivering some solid emotion and action. Winstead was enjoyable and fit her role well. Wong was his usual and fun as always. Owen did well in a role he has seen before. The remainder of the supporting cast was solid throughout.

Somewhere between acting and effects is where things get a bit weird. The CGI and effects used for Junior were almost disturbing at times. His face felt off but when he talked it was obvious something wasn't quite right. Paying a bit closer attention, his focus never seems right, like someone looking at your chin or forehead while talking to you. Physical motions were somewhat better but still lacked a realistic feel.

Camera work, sets, and backgrounds were pretty good if heavily CGI laced. Dialogue was solid with reasonable depth. Sound and soundtrack are okay.

Overall Gemini Man is an interesting mix of a familiar story with a nice twist and some seriously distracting CGI work. Those who can enjoy the special effects should enjoy this one.

With some very mild nudity, plenty of violence and gore, foul language, and more violence, this should be fine for teens and above.

Released: 2019
Reviewed: 9.21.20
Star rating: 3 out of 5
Genre: Action Thrillers, Sci-Fi Action, Sci-Fi Drama, Spy Action, Action

copyright ©2020 Dave Riedel

Movie review: 1917

 

In the midst of World War II planning for a push to pursue a retreating enemy, soldiers Schofield and Blake are assigned to cross battle lines and deliver a message to halt the attack and save the lives of a regiment walking into a trap.

Dean-Charles Chapman (Blake), George MacKay (Schofield), Daniel Mays (Sanders), Colin Firth (Erinmore), Billy Postlethwaite (Harvey), Benedict Cumberbatch (Mackenzie), Adrian Scarborough (Hepburn).

1917 launches quickly, jumping right to the storyline with little character introductions or plot setup. Focus is shifted at the start to Blake and Schofield and from there the story is off and running. The two are assigned the mission of crossing enemy lines to deliver a message to Col. Mackenzie to halt his planned pursuit and attack of a retreating enemy which it has been discovered is a trap. In a race against time the two young soldiers cross a decimated land littered with bodies, traps, and random enemy soldiers repeatedly testing their determination and humanity.

Acting was solid with Chapman and Mackay both delivering very well and seeming to work together easily. Both presented solid emotion throughout. Firth was good in a minor role, as was Cumberbatch. The remainder of the supporting cast, while appearing only briefly, were good.

Camera work, sets, backgrounds, and costuming are all well done. The film follows the two soldiers with no breaks or focus on others adding continuity and holding interest well. The large, apparently natural, landscapes and set size make the film visually impressive. Action scenes are solid, well done, and surprisingly mild for a war film. Dialogue is good with nice fit and depth. Sound and soundtrack are okay.

Overall 1917 is an quality war drama with technical work, acting, and plot movement that holds interest well. Those who enjoy tense drama or war stories should enjoy this one. Those hoping for intense battles or action may be disappointed.

With a fair amount of violence, gore, adult situations, and some foul language, this should be fine for older teens and above.

Released: 2019
Reviewed: 9.17.20
Star rating: 4 out of 5
Genre: War, Drama, Period Pieces, Military Films

copyright ©2020 Dave Riedel

Movie review: Bombshell

 When the top three women at Fox News level charges against their boss, Roger Ailes, over the sexist environment he presides over at the network it is a news Bombshell!

Charlize Theron (Megyn Kelly), Nicole Kidman (Gretchen Carlson), Margot Robbie (Kayla Pospisil), John Lithgow (Roger), Allison Janney (Susan), Malcolm McDowell (Rupert), Kate McKinnon (Jess), Connie Britton (Beth Ailes).

Bombshell starts nicely following Megyn around the Fox News offices from the perspective of a tour participant with each area launching a different part of the story. When Gretchen is fired it starts a fire under her to dethrone Roger. Megyn joins the story as the most popular newsperson whose voice matters, while Kayla joins the story as Roger's current focus. The remainder of the story is drama, mostly it seems around perception, and ongoing fear of Roger's power. What doesn't appear is enough tension to keep the story really engaging.

Acting was solid with Theron doing a great job of impersonating Kelly. Kidman was decent, if a bit forced. Robbie was well cast and did nicely. Lithgow was solid throughout and delivered well. McDowell, Britton, and the remainder of the supporting cast were solid.

Camera work, sets and backgrounds were good but costuming and makeup really rocked it here. Theron, Kidman, and Robbie were well dressed and made-up at all times and it fit perfectly. Costuming of Lithgow was also very nicely done. Dialogue was good, but just didn't develop the energy or depth we had hoped. Sound and soundtrack are okay.

Overall Bombshell is a reasonably done Real Life Drama that follows actual events fairly well to our knowledge. Though the film lacks impact as entertainment, it does seems to do a good job of telling a story familiar to many.

With some sexuality and mild foul language, this should be fine for older teens and above.

Released: 2019
Reviewed: 9.7.20
Star rating: 2 out of 5
Genre: Drama, Crime Drama, Drama Based on Real Life, Biography

copyright ©2020 Dave Riedel

Movie review: Drunk Parents

Frank and Nancy are trying to hold things together but once their daughter is off to college, the drinking begins. So do the crazy schemes they come up with to hide their financial difficulties from her and their friends.

Alec Baldwin (Frank), Salma Hayek (Nancy), Jim Gaffigan (Carl), Joe Manganiello (Bob), Treat Williams (Dan), Michelle Veintimilla (Rachel), Natalia Cigliuti (Betty), Colin Quinn (Ryan), Will Ferrell (Bum).

Frank and Nancy are just about broke but trying to hide the fact from their daughter, Rachel, until she is moved off to college. With Rachel out the door, the two begin drinking to soften the reality of their situation, which is when the crazy schemes show up. Along the way the two miss at least one opportunity to fix things, expose their strangely dysfunctional relationship, and deliver a fair amount of laughs. As with most films of this type, the story is never really explained and the plot is secondary to the humor.

Acting was over the top and ridiculous from just about everyone. Baldwin and Hayek delivered well and seemed to work well together. Gaffigan was surprisingly pretty good and in a role that seemed to fit him well. The remainder of the supporting cast was a mix but fit the film.

Camera work, sets, and backgrounds were mild but good with nice fit with the story. Action scenes were mild but enjoyable. Dialogue was pretty good with some decent laughs. Sound and soundtrack are nice.

Overall Drunk Parents is a reasonably done adult comedy. Sadly, it feels like a poor copy of a storyline that has been used many times and adds nothing new to the genre. Baldwin, Hayek, or adult comedy fans may enjoy this one.

With some mild sexuality and foul language, this should be fine for teens and above.

Released: 2019
Reviewed: 8.26.20
Star rating: 2 out of 5
Genre: Comedy, Adult Comedy, Romantic Comedy

copyright ©2020 Dave Riedel

Movie review: Uncut Gems

 

 

With debt collectors closing in New York City jeweler Howard doubles-down on the bet of a lifetime to fix all his problems. But with a serious lack of faith plaguing him, Howard's debt collectors would rather get a piece of a small pie than see him place another bet.

Adam Sandler (Howard), Keith Richards (Phil), Tommy Kominik (Nico), LaKeith Stanfield (Demany), Eric Bogosian (Arno), Judd Hirsch (Gooey), Julia Fox (Julia), Idina Menzel (Dinah).

Uncut Gems shows up like a strange smell in the refrigerator you can't quite identify. The film starts with a bit of backstory before jumping to Howard and his problematic life. Somehow he acquires a potentially valuable stone which he hopes to use to place a once-in-a-lifetime bet that will solve all his problems. Unfortunately his debtors get wind of this and go after Howard in hopes of collecting something from him before it is gambled away. In the meantime, Howard is somehow able to maintain an extravagant lifestyle without breaking a sweat.

Acting was a miss on just about every point. Sandler felt out of place, like he was overacting much of the time, and lacking any kind of sincerity. How he received so many awards and nominations for this one is beyond me. Stanfield was okay in his role, though he felt like a one-trick pony with nothing but an attitude. Bogosian was underused in his role which could have added some depth. Same with Hirsch. Fox had a couple of shining moments, as did Menzel and a few others.

Camera work, sets, and backgrounds are okay with an almost realistic feel. Action scenes were mild but decent. Dialogue was weak and flat much of the time and paired with horrible accents, difficult to follow at times. Sound and soundtrack were pretty good.

Overall Uncut Gems, like some uncut gems, was not the happy surprise we all had hoped. The film feels unstable from the start and never settles down, nor does the acting. The result is a high energy mess that feels thrown in your face rather than asking for your attention.

With some sexuality, nudity, violence, gore, foul language, drugs and alcohol, adult situations, and adult stupidity, use this to punish older teens and above.

Released: 2019
Reviewed: 8.24.20
Star rating: 2 out of 5
Genre: Crime Thriller, Crime Drama, Crime, Thriller, Drama

copyright ©2020 Dave Riedel

Movie review: Jojo Rabbit

 Having joined Hitler's army, Jojo soon after discovers his single mother hiding a Jewish girl in their attic. With help from his imaginary best friend, Adolf Hitler, Jojo confronts his nationalism and beliefs in this World War II satire.

Roman Davis (Jojo), Thomasin McKenzie (Elsa), Scarlett Johansson (Rosie), Taika Waititi (Adolf), Sam Rockwell (Capt. Klenzendorf), Rebel Wilson (Fraulein Rahm), Alfie Allen (Finkel), Archie Yates (Yorki).

Jojo Rabbit begins with some plot setup, character introductions, and a look at Jojo's life thus far. The humor comes quickly when Adolf and Jojo's mother, Rosie, are introduced. Soon after, Jojo discovers Elsa living in the attic with his mother's blessing. From there the story follows along as Jojo explores his conflicted feelings with help from Adolf, his idiotic imaginary friend. The story and the laughs continue through and amusing ending.

Acting was solid with Davis doing a very good job. McKenzie also delivered a solid performance and worked well with Davis. Johansson was enjoyable with good delivery as usual. Waititi fit his role nice, as did Rockwell and Wilson, and all three added nicely to the film.

Camera work, sets, and backgrounds are enjoyable and fit the film well. Effects blended well throughout. Dialogue was good with nice laughs and depths. Accents were reasonable to understand most of the time. Sound and soundtrack are good.

Overall Jojo Rabbit is a fun little film with a nicely done comedic approach to a rather unique storyline. Acting and technical work are solid with the film moving at a nice pace with some nice chuckles. Those who enjoy a good satire should enjoy this one.

With a bit of sexuality, violence, foul language, and adult situations, this should be fine for teens and above.

Released: 2019
Reviewed: 8.10.20
Star rating: 3 out of 5
Genre: Comedy, Spoofs and Satire, War, Drama, Dark Humor

copyright ©2020 Dave Riedel

Movie review: Dark

When a young local boy disappears from the small town of Winden, a series of events are unleashed revealing the relationships between four families in a story that spans decades.

Louis Hofmann (Jonas), Karoline Eichhorn (Charlotte), Lisa Vicari (Martha), Maja Schone (Hanna), Stephan Kampwirth (Peter), Jordis Triebel (Katharina), Paul Lux (Bartosz), Moritz Jahn (Magnus), Oliver Masucci (Ulrich).

Dark looks strange from the start, and only gets stranger. The story sounds simple up front; a young boy disappears from a small German town and the resulting events reveal relationships between four families. What it doesn't explain is the relationships span decades, something explored in the series via time and inter-dimensional travel. It also great over-simplifies the plot. The relationships are built through time, not with time, and are ridiculously convoluted to follow. The result is a film with incredible depth that demands attention to be followed.

Acting was pretty good in Dark. Hofmann did a nice job and fit his role fairly well. Vicari was enjoyable and delivered nicely as well. Schone put forth good emotion, as did Masucci, though he felt a bit colder. Triebel was good, as were Lux and Jahn who both fit nicely. The large cast overall did quite well.

Camera work, sets, and backgrounds are good without being overdone. The cave scenes could have used slightly more explanation. Effects and action were enjoyable without taking over the film. Dialogue can be challenging at time so captions become your friend. Sound and soundtrack are okay.

Overall if you enjoy time-travel films with depth you should enjoy this 3 season series. The only real complaint here is with direction. There was a lot of pausing in the dialogue, to the point we wondered a couple of times if Hofmann had forgotten his lines. Prepare to dedicate some time with this series as watching it over time may prove difficult with the plot depth.

With a fair amount of sexuality, some nudity, violence, gore, foul language, adult themes and scenes, save this one for older teens and above.

Released: 2020
Reviewed: 7.20.20
Star rating: 3 out of 5
Genre: Mystery, Sci-Fi, Drama, Crime, Time-travel

copyright ©2020 Dave Riedel

Movie review: The Lighthouse

Two lighthouse keepers on an isolated New England island in the late 1800's struggle to maintain their sanity in the face of an approaching storm.

Robert Pattinson (Thomas Howard), Willem Dafoe (Thomas Wake), Valeriia Karaman (Mermaid), Logan Hawkes (Winslow), Kyla Nicolle (Rock woman).

The Lighthouse begins by reminding us how to turn on subtitles as the language used along with actors accents was challenging to say the least. Next up is checking the television or monitor to see if maybe you switched it to monochrome. You did not. The film is indeed in black and white. But while you are in there, check your sound settings. They are fine, but you will soon think they are not.

Housekeeping done, the film is now underway including the plot with the two lighthouse keepers, Thomas and Thomas, starting to crack. As part of the cracking they each begin to suspect the other in more and more sinister ways. Along the way we are treated to the brutal destruction of a seagull, homophobia, and repeated demonstrations as to the use of a chamber pot. The rest of the film is about as lively, or as logical, as filming in black and white these days.

Acting was disturbing, meaning Dafoe did well and fit his role perfectly. Pattinson was also well cast and fit well with Dafoe. Though the two seemed to have chemistry, they didn't have enough to share with the film itself.

Indie and alternative films can be entertaining, interesting, amusing and more. This film at best feels like a prototype for something that could be entertaining, might be interesting, is definitely disturbing, and knows not what amusing means. No audience recommendation as the 1890 was over 100 years ago so the point is mute.

Mild nudity and sexuality, graphic violence and gore, foul language, more graphic gore and violence, alcoholism, and potentially disturbing images so save this one for adults and above.

Released: 2019
Reviewed: 7.19.20
Star rating: 2 out of 5
Genre: Fantasy, Horror, Drama, Period Pieces, Indie Thriller

copyright ©2020 Dave Riedel